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How Abel Helped Engineer a Neighborhood’s Transformation

A DJ Recounts the Gay Club History of Southbeach

Written by Thomas Barker

It’s the late fall of 1980. The streets are empty in South Beach. The quiet beachside community of retired residents closely resembles a gigantic old folks’ home — hardly the bustling world capital of music, modeling and muscle that it would morph into in just a few years. At the moment, however, there’s no nightlife and not much to see beyond the decaying Art Deco architecture. The Mariel boatlift, a recent mass exodus from Cuba, has flooded the area with newly arrived refugees. The few people who happen to visit South Beach can only find entertainment by crossing the bay and partying in Downtown Miami, Coconut Grove or Coral Gables.

But like most diamonds in the rough, South Beach just needed a little polish. There was one person who was present at the creation and helped lay the groundwork for what would become one of the hottest dance destinations in the world. Abel Aguilera had just arrived from Brooklyn, but the world would soon know him by the name DJ Abel.

“South Beach was a suburb,” Abel explains. “That’s the best way to describe it. Miami Beach was a retirement community. There was no young activity there whatsoever. It was a very limited scene at the time, but I could tell it was the beginning of something big.”

That is exactly what happened when Phil Smith, the owner of New York’s legendary Twilo, decided to bring his gigantic club concept to the sandy shores of South Beach. He named it 1235, after the club’s address on then still-dicey Washington Avenue. As more and more New Yorkers moved to South Beach, the club industry began to blossom, and 1235 was definitely at the center of it all.

Previously known as Club Z and currently as Mansion, 1235 was one of the first major developments that changed South Beach. “It was the biggest ‘Wow!’,” recalls Abel. “It was Miami’s Palladium of nightlife,” he says, referring to the New York megaclub of the ‘80s and ‘90s. “Imagine stars like Tina Turner performing for three to four thousand people.”

While Smith was putting his final touches on 1235, Abel was working as a radio DJ on Q FM 107, where he was honing his spinning in a variety of different formats, ranging from disco to pop — including, of course, House. He became somewhat of a local celebrity when Phil hired him to be the official resident DJ of 1235. Throughout the week, DJ Abel would spin for a different crowd every night.

“At that time, I was doing radio and gigs at 1235. I stayed at 1235 even after Phil Smith left,” says DJ Abel. “The owners of the building kept the name for years and ran it themselves. We had radio stations piped in, so every Thursday, Friday, and Saturday there were about 3,000 people. During the summer I would spin for the teens. Sundays we would do gay tea dances, and on Saturdays it would be more of a straight crowd. It was similar to what Space [in Downtown Miami] is today. The crowd was more educated when it came to music, and that really made a big difference in the club scene.”

More Clubs: Nu, Warsaw, Salvation

It wasn’t long before more clubs started to pop up in South Beach, and one in particular was changing the way people partied on the island. It was called Club Nu, and it was the place to see and be seen. Gianni Versace was a regular, along with his pal Madonna and their entourage of fabulosas.

“Eventually Club Nu opened up,” Abel recounts. “It was located in the building where Miami Beach’s new public library is now located. It was one of the most chic clubs in Miami Beach. It was all about fashion and all about the music. It was the place to be seen. For a while, it was a battle between those two clubs.”

As the nightlife began to grow, so did the number of trendy residents, who began crowding out the elderly Jews and Cuban immigrants. More and more New Yorkers flocked to South Beach to experience the “new thing,” and, like DJ Abel, made the decision never to leave. Many of them opened chic restaurants or restored the old Art Deco hotels to their original splendor. In this case of the “chicken and the egg” however, it was definitely the dance music that came before the people, and 1235 had a lot to do with that.
“I first noticed the shift from South Beach being a retirement community to South Beach being the epicenter of nightlife in 1991,” explains DJ Abel. “There was a big rush of people coming in from New York, and they were buying properties, opening stores, and fixing up the neighborhoods. That really helped create the vibe that makes South Beach so great today.

“I remember in ‘92 when Paragon held its opening night party at the 1235 space. There was something like 4,000 people crammed inside the space, listening to Frankie Knuckles. I just didn’t know where all those people came from, and there were probably another 2,000 people standing outside trying to get in. I knew at that moment that something big was happening.”

SoBe Finds Salvation

How right he was, as one of South Beach’s most legendary clubs opened its doors. The club — located almost around the corner from Paragon) — was the Warsaw Ballroom. It had taken over a cafeteria built in 1939 by Henry Hohauser, one of the architects who helped make the area the nation’s greatest repository of Art Deco buildings. Every Saturday night, it was packed with club kids, ravers, drag queens, trendoids, and everyone and everything in between. At the time, South Beach wasn’t just about glamour; it was about being over the top, accessorizing, and, of course, music.
As South Beach became more and more famous, so did DJ Abel. “Paragon took me to a whole new level, because I was fresh and new to that crowd,” DJ Abel recalls. “In ‘92, there was the beach and there was the mainland. The beach crowd was a more musically educated crowd of people, who loved music and knew all the DJs. That was what brought me up to that A-list level that was more national.”

As for Paragon, it would reach the heights of fabulousness when a certain one-named musician purchased the property in 1994. (At the time, he wasn’t going by the name “Prince,” but a weird symbol.) The songwriter-performer’s entry into the SoBe nightlife scene added to the celebrity of the island. Madonna (and her local gal pal Ingrid Casares), Sylvester Stallone and, of course, Italian designer Gianni Versace became some of the many bold-faced denizens of the neighborhood.

The high point of SoBe’s era of the megaclub came in 1996 with the opening of Salvation, on the fringe of South Beach on West Avenue at 17th Street. “When Salvation opened, it only made things even better for me,” Abel says, “because it put me on a national level even more, which just gave me more power and edge in my hometown.”

The End of the Megaclub Era

With Salvation, Warsaw, and Paragon running at full speed, the South Beach club scene was definitely popping. But the seeds of change had been planted, and, once sprouted, they took root and altered the existing ecosystem. In the case of South Beach, it was a slow easing of the scene. The factors were typical of a once-marginal area that had become hip. The very people who had been attracted by its cachet didn’t want to put up with the late-night noise (which, ironically, gave the area the cachet that brought there in the first place). As the area became more and more expensive, rising real estate prices made it hard for a large club to prove itself more valuable than a retail or residential building.

One by one, the megaclubs closed their doors. By the millennium, most of the large clubs had been replaced with smaller, more intimate dance venues. Bars that had some dancing, like Score on Lincoln Road and Twist on Washington Avenue, became the new gay hangouts. There, revelers could interact with the DJ, which marked a sea change. Today, more and more partiers don’t want to just see the DJ spinning records; they want to party with him. 

According to DJ Abel, South Beach is going through another transition. But even as it has become an upscale enclave of the moneyed class, he believes that the beautiful Art Deco neighborhood is still one of the hottest places in the country to party.

“There are still a lot of great places and lot of great clubs in South Beach,” says Abel. “All the clubs in South Beach are five-star clubs to me. There are just so many really great places, and there’s always going to be another new place opening up just around the corner.”

 

 

 

Reader Comments

Great piece.  I was there for this exciting time as well.  I just turned 21 when Warsaw opened it’s doors.  Except for a few years being off in your time-line, this is a great re-cap of a very magical time for many, many people.  Thank you.

By Kenny SF on 07-30-2010

Thomas, I was sent a Facebook message about your article from a longtime South Beacher.  In his email to me, he expressed disdain.  Despite the title of your article, this writing is so one-side.  In relying on DJ Abel for the only historical account of South Beach and crediting him with engineering the transformation of South Beach, you have produced a piece of propaganda that looks like a rewriting of South Beach history.  The emailer and I both agree that you cannot give credit one person so greatly.

When it comes to dj’s, the world-famous DJ Danny Tenaglia was THE quintessential groundbreaking house music dj who brough the South Florida music scene out of it’s 80’s freestyle sound, propelling the scene into something way ahead of it’s time.  Ask any DJ who rose to fame in South Beach and they will tell you Danny served them many a lession and still does whenever he plays.

No matter you slice it or how abrasive he was, DJ David Padilla at the Warsaw Ballroom had the chops to really deliver the beats for the locals and the flocks of gay tourists (when the influx really began) on a weekly basis.  Before Paragon opened, it was clearly David Padilla and Warsaw Ballroom with first big room and big sound for the new South Beach, the era of which was just then about to become the premiere circuit destination of all time.

Speaking of circuit destinations, and of your publisher being Circuit Noize, It is very self-serving of you and Abel not to give props to the crown jewel of all circuit events, The Miami White Party.  The growth of that humble, yet elegant, little Vizcaya party grew into a monstrous weeklong event that had a huge effect on the transformation of South Beach.  Soon after, the Winter Party would greatly compliment the White Party in exalting South Beach to it’s “out of this world” status.

I don’t know how you can mention Madonna and Ingrid Casares in this article without mentioning the REAL club that Madonna frequented, the club that Indgrid owned.  Yes, Liquid, was awfully, awfully, hip.  It was the place where everyone, including Abel himself, paid attention to what DJ Jo Jo Odyssey was playing.  It was also where newly discovered DJ Victor Calderone showed his talents, garnering production jobs from Madonna herself, and added the New York tribal energy that still defines “circuit music” and the South Beach scene to this day.

Last but not least, I cannot believe you and Abel wrote Amnesia Tea Dances out of your “history report”.  One cannot think of the transformation of South Beach without giving credit to the amazing tea dance’s that promoter Jody McDonald created, first at the Palace with a Uhaul truck as the stage, then at the Surfcomber, and later at the world-famous Amnesia.  With me as main dj, we created one of the longest runs of any of the South Beach clubs, including 10 years of the most memorable Winter Party afterparty events and New Year’s Day events.  There was nothing like being on South Beach and doing these famous outdoor tea dances.  These parties weren’t just another dark space with strobes and lighting.  Gay people were brought out of the dark obscurity and into the light.  It was a huge part of what gave South Beach it’s uniqueness over any other circuit destination in the world.

One more huge shout out would be to DJ Bill Kelly, whose Winter Music Conference drew the best of the best dj’s, producers, and promoters.  This annual event alone fueled all of the South Beach DJ’s passions.

Well, Thomas, I sure hope that your readers better understand how so many of us all came together to transform South Beach, the success of which clearly cannot be contributed to one DJ, one club owner, one party, one artist, one fashion designer, or one promoter.

Sincerely,
DJ David Knapp
South Beach DJ 1989-?
Miami White Party 1992-2002, & 2010
The Kremlin (Now called Score), 1993-1997
Amnesia Nightclub (Tea Dance), 1994-2004

By Hello, From DJ DAVID KNAPP on 10-27-2010

GEE WIZZ I WROTE DOWN SOME NAMES THAT WERE LEFT OUT JUST IN CASE THEY NEEDED SOME MORE FOR A MORE ACCURATE ARTICLE! WHAT HAPPENED TO DAVID PADILLA, CIRO, MICHAEL MC MILAN, LUIS CANALES, jorge nunez, leo nunez, JODY MC DONALD, LOUIS PUIG(THE FIRST DJ OF CLUB 1235), DAVID KNAPP, CARLOS NODAL, STEVEN FRIEDMAN, KEITH ALLEN, BRUCE BRAXON, ERNY LEVI, HELLO!!!! KEVIN CURBY!!!!!, THE MAJOR BITCH GARY SANTIS, THE SNAKE—-> MYSELF, LUIS CASTRO (WHO REMAIN SILENT BUT DEADLY WHEN HE SPEAKS), DJ CARLOS CHISAL, RALPH FALCON AND ALL THOSE WHO I HAVE NOT MENTIONED. HELLO—-CLUB Z WAS NOT STARTED BY ABEL AND IT WAS “THE SUNDAY PARTY TO GO TO” THE MAGESTIC THEATER/CLUB BUILDING ON 1235 WASHINGTON AVENUE WAS ALREADY FUNCTIONING AND PACKED AS A STRAIGHT CLUB STARTED BY THE VERY FIRST FAMILY WHO HAS OWNED IT ALL THESE YEARS “THE BRANTS” AND THEY STILL DO.
I WONDER IF ABEL LOOKED AT THIS ARTICLE BEFORE IT WAS WRITTEN AND RELEASED.

By Lazaro Leon on 10-27-2010

Does anyone remember Torpedo, Twist, Kremlin, Hombre or even heard of the Winter Music Conference. Hmm how about DJ Bill Kelly?

By Bill Kelly Jr. on 10-27-2010

YESSSS
David and Lazaro got it totally right.

By Erik on 10-28-2010

No mention of Kitty, Power, or myself LESLIE QUICK??? I demand a REWRITE!!!! JUSSST Kidding! This Article is sure to cause Duuurama Fo’Yo Mama!!!

By Danny Santa Cruz / Leslie Quick.... on 10-28-2010

Wow, talk about disrespect and childish fits of rage. Sounds more like a bunch of DJs are upset they were not mentioned. I have read this three times and don’t see where Abel or the writer were being disingenuous or rewriting history. Chill people! Do DJs really hate each other that much?

By Upset I am not popular! on 10-28-2010

I think John Hood mentioned Bill Kelly in the new sobepedia.com.

And got it right. 

Sobepedia is a place where everybody gets a shot at the “truth,” and not just the guys with the megaphone.

By Andrew Delaplaine on 10-28-2010

Hard to believe that these people don’t even know how to read and put together that this article is about Abel, and not about the other clubs, promoters, or dj’s. It’s is kind of a Bio of Abel and “His” transitions people. It’s obvious there is some bad blood with some dj’s over there.  Jc.

By Jc82 on 10-28-2010

While I dont know anything about the history, as everyone else appears to here, it seems the title is accurate “How Abel helped..” Those who seem to see this as the definitive history, which they and others were left out of, are too close to the story to be objective. It’s one DJ’s story of some of the history and transformation of SoBe. If its that big of a deal, then make it a series of articles and interview another dozen people. Hell, write a book. But dont misrepresent what the article claims to be about.  Thats So Gay.

By Color me Jaded on 10-28-2010

There were so many people that made South Beach so great!  Thanks to all of them!

By Bob Cristaldi on 10-28-2010

I use to love 1235. It was one of those places that you always felt something magical was about to happen. They even had fireworks inside. I think the old days of Miami are better than today!

By Sobeboy on 10-29-2010

I love selective memory. It serves well, at times. wink

By DJ Bill Hallquist on 10-30-2010

I WAS HIRED BY PHIL SMITH TO BE RESIDENT DJ AT HIS NEW CLUB IN SOUTH BEACH (CLUB Z)...I LEFT (STUDIO 54) AND WORKED AT (Z) FROM IT’S INCEPTION&CONSTRUCTION;...I PLAYED THERE FROM OPENING NIGHT TO ITS LAST NIGHT.MY ASSOCIATE DJ WAS TOMMY MOORE,WHO I BROUGHT DOWN WITH ME FROM NY….I WAS LATER HIRED BY THE BRANTS TO GET 1235 UP AND RUNNING,I PLAYED ITS OPENING AND THE FIRST FEW WEEKS THEN WENT BACK TO NY AND PLAYED STUDIO 54 TO ITS LAST NIGHT…THERE WERE MANY PEOPLE WHO CONTRIBUTED TO THE TRANSITION OF SOUTH BEACH AND IT ALL STARTED WITH (CLUB Z) . ABEL IS AN AMAZING DJ AND A GOOD PERSON AND HE HAS CONTRIBUTED MUCH TO MUSIC AND THE DANCE INDUSTRY IN SOUTH BEACH AND .(JavaScript must be enabled to view this email address)

By DJ FRANK CORR/FT LAUDERDALE FL. on 10-31-2010

I agree with David Knapp regarding the history of SoBe. Also, all I remember about Abel was the producers/promoters said to make sure you fed him before he played because if he was too f’d up on tina he would ruin the night.

By David Promo on 09-27-2011

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